a forgotten modernist.

History tends to give all the credits to the lucky few. Or maybe just to the smart few. Le Corbusier for example was very self-conscious and kind of wrote his own history. Corbu was very good at imagebuilding and carefully cultivated his "immaculate conception" even if research shows that even he was a copycat. That other great modernist, Ludwig Mies van der Rohe, rarely shows up on pictures without a cigar. Do you think it's a coincidence?

People who don't market themselves well tend to slip between the creases of history, even if their work is of extraordinary value. Such as Belgian architect Juliaan Lampens, who made some unique work in post-war Belgium. His houses feature completely open spaces, sometimes all rooms were under the same roof, without any ceilings. This was very rare in Belgian architecture at that time. With this approach, Lampens wanted to stimulate social interaction and family life. Living without barriers between children and parents. Or to say it in his own words: "So many things have already been seen through the keyhole, so why then do you need a keyhole...?". The idea feels very 60s, I think most children today would hate it. And maybe the parents, too :-).

 

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terug van weggeweest: de lampen van maarten

De Zweedse producent Wästberg brengt binnenkort de U-line lampen van Maarten Van Severen terug uit. De nieuwe versie krijgt LEDlampjes mee in plaats van de superfijne TL-lampen in de vroegere versie (toen gemaakt door de Belgische producent Light). Gek genoeg ziet het ding eruit alsof het altijd al voor LEDs ontworpen is. Het ontwerp is al 15 jaar oud maar ziet er, zoals vaak bij Maarten, uit alsof het hypermodern en tijdloos tegelijkertijd is.

Van_severen_w111t

 

Het verhaal achter de lamp begon in Boisbuchet in Frankrijk:

We first met Maarten in 2001 when he came to Boisbuchet, France – the then bohemian countryside castle where the Vitra Design Museum summer workshops are held. We were teaching a course and Maarten just happened to be passing by in his beat-up Volvo estate to check the place out for his upcoming teaching session.

We knew Maarten Van Severen’s work well but had never met the man. The uncompromising perfection, the sharp minimalism, the austerity, but – and this was immediately clear – there was no trace of it in the person.The Southwest French countryside was suddenly taken hostage. A head of hair growing in all directions, intense eyes and a loud and never-ending laughter entered the scene. Absolutely lovely! We became instant friends.

Over the next few years, we met all over the place. In his Ghent, in our Stockholm, for a late night party in a New York hotel room, even experiencing his infamous reckless driving as passengers in his car, racing through Milan.

But then Maarten died, mid-life, in 2005, leaving a void in the hearts of family, friends, design followers, us.

Today Maarten lives on in his works. All of them masterpieces that have already earned their place in the pantheon of design. Like the famous .03-chair for Vitra.

But he never got to realise all that many projects. So, through our relationship with Maarten’s family and Magnus Wästberg, we were able to suggest to them the revival of one of Maarten’s most brilliant products – the U-line lamp – that had gone out of production with its previous manufacturer. With much improved technical performance and equipped with LED’s it is now re-named Van Severen w111.

So, thank you Wästberg. And to Maarten: we miss you a lot. And we like to think that you’d agree that your baby is now in good hands. 

Mårten Claesson, Eero Koivisto, Ola Rune, Stockholm, February 2011.